The Woman as the “Other” in Yamina Bachir’s “Rachida” and Aziz Salmy “Amours Voileés”
This article focuses on the representation of woman as the “Other” in Algerian and Moroccan Films. Such representations reveal how questions pertaining to the status of woman in a much patriarchal society became at the hub of cinematic forms of expression. Through their female protagonists, Yamina B…